The Pre-Production Process
The
Pre-Production Process
Pre-Production is one of the 3 main parts of a production,
(Pre-Production, Production and Post-Production) and is the planning section of
the process. When used in a moving image production, the type of moving image
production, source of finance, requirements, time and the legal side of the
motion picture are all taken into account. This stage begins once the project
in question has been ‘greenlit’.
Type
of Production
Our production was a short independent film for a college project which
we distributed on YouTube.
Two of the most well-known types of production include Hollywood and
Independent movies. Hollywood movies are more publicised due to the high budget
– meaning it is easier for advertisements to be strategically placed throughout
media in order to attract attention of possible consumers. The ‘trailers’ for
these movies are regularly shown at film festivals, in cinemas, on TV and in
places easy for the public eye to see, such as on the sides of buses and on
billboards along busy streets. Transformers: Age of Extinction is an example of
a large advertisement scheme, with its marketers spending a reported $100
million on the films advertising alone.
On the other hand, independent movies are less main stream as a result
of the low budget; with the average independent movie’s budget lying at around
$750,000, meaning that advertising on a large scale is harder due to a lack of
sufficient funds. As a result of this, independent films would usually try to
rely on social media for its advertising, using sites like YouTube, ITunes and
Facebook as advertising is much cheaper, however the advertisement would not
reach as many people as a Hollywood movie would – hence why most Hollywood
movies have a much larger income and audience than that of an independent film.
Another side of the type of production is the type of Moving Image
Production, in which there are many types. The most well-known types are Film
and Animation. Film is live-action content with most adding in features in
post-production to increase the realism – or unrealism – of the film in
question. An example of a film would be The Dark Knight, which is a large
budgeted Hollywood production.
Animation, on the other hand, is a collection of related drawings or
models edited together to create a sequence. There are different types of
animation, including traditional animation or 2D animation, which is created
using many related drawings edited together. Snow White and the Seven Dwarfs is
an example of a traditional animation, and took months to animate on a $1.5
million budget. 2D animation was later created digitally.
3D animation is created digitally, and is used to create more realistic models
and surroundings for the production. It works the same as any other animation,
with the models being moved one frame at a time to create the sense of
movement. An example of a 3D animation is Toy Story 3, which cost $200,000,000
to make.
Stop motion is another type of animation, in which physically static
objects are moved around frame by frame to create the illusion of the
character/object moving. It is a less popular method used in films, usually due
to the long process, with some animators even making the stop motion type
animation in a 3D software; which helps avoid the long periods of work time,
allowing more to happen in the scene without the process becoming too
confusing. An example of a stop motion film is Coraline, which cost $60 million
to make. The digital stop motion technique is shown in the Lego Movie, also
costing around $60 million.
TV shows are also a Moving Image Production, usually running for shorter
period of time than a movie, however more than one part is produced. These
include Soap Operas, which are TV programmes that revolve around the daily
lives of a certain group of characters, including EastEnders, which costs a
predicted £140,000 per episode.
Dramas are a form of TV programme that are usually less realistic than
soap operas, with a more intense storyline. An example is Stranger Things, who’s
second season cost around $8 million per episode.
Sitcoms are ongoing comedic TV shows – usually going with a Soap Opera
style basis of a certain few characters and a certain few environments, however
go on for a shorter time than Soap Operas. Seinfeld was an example, with the
main character Jerry Seinfeld making around $1 million per episode by the 9th
season.
Sources
of Finance
There are many sources of finance a film can receive. A film needs this
money to fund the requirements of the film, such as actors, camera equipment,
creative, etc. and depending on what type of film and production is being made,
may cost a lot.
Equity is one way of funding a film, and requires the investors to be shareholders
in the film. The investors must be paid back – plus profit – before the film
makers can make pay-outs to required sources using the profit they received.
This method is usually used by Hollywood/larger companies, as they are more
likely to have a higher-class person invest a lot of money into their film due
to it being a well-known company who will receive a lot of profit.
The Pre-Sales method is agreed before the making of the production, with
a distributor generating a value of its cast, script, marketing team and crew, with
the production team then given a deal to draw out a bank loan of the amount of
money the distributor has set, which then is paid back without profit once the
production has finished.
The deferred method usually means that the producers avoid most costs
when making a film. This type of deal states that all actors, crew members,
equipment, locations and vendors are cost-free until the film’s profit is made
after it comes out. This film is infamous due to the fact that the crew of the
film could have worked hours only to get a smaller pay check than expected because
the film didn’t do as well as the producers thought.
Crowdfunding, a method popularly used by independent filmmakers,
requires the producers to use sites such as Indiegogo, Kickstarter and Patreon
to fund their films. Donations are given by anyone who wants to help the film,
and no money is given to third parties once the film is complete, instead the
profit given to those involved in the production, such as the crew, cast and
production team. Depending on the scale of the company who have set up the
crowdfund, rewards such as coming on set, meeting the cast etc. can be given
out to large scale donators for their input. An example of a crowdfunded film
is ‘Veronica Mars’, which raised their targeted $2 million in less than 10
hours.
Requirements
In a film’s production, almost everything has to be paid for. In a
large-scale Hollywood production, this includes the cameras and mics used,
which are usually rented out from specialist distributors, with the average
Hollywood movie camera renting at around $10,000 a week. The crew and cast is
also paid for, including the editors, sound team, camera team, makeup team,
lighting team, prop team, crane operators, runners, technicians and the set
team; actors and production team, costing around $14 million to fund all of the
crew. Not only this, but the props are also paid for, which includes the costumes,
locations and mis-en-scene, as well as the sound effects and visual effects
shown and heard throughout the film.
For our project, we had to obtain a camera bag which included a camera,
hard drive and a tripod. We also had to get cloaks online to wear in our
production.
Personnel
In a low budget short, the members of the crew are not the highest
ranked in their sector due to the most skilled being too expensive for the
small company making the film. Usually the director and actors of the film
takes on other roles, such as editing and lighting. The crew could be made up
of 10/15 people at a push, and money is not usually of concern, with a gain of
experience being the reason each crew member is involved.
Television programmes are different to film crews due to the fact that
the writers, cast, crew members are working for a much longer period of time.
This means that the crew is paid less to keep the TV programme going and with a
stable budget – as the crew and cast aren’t doing a bulk of work, but more of a
drawn out process. The writers need to constantly be coming up with ideas, and
are one of the most important parts of the programme, as they need to keep the
show fresh and original in order to keep viewers and bring in new ones. Because
of this, there are usually a team of writers used, and many crew members so
that other crew members can have breaks as the entire process is extremely
long.
Hollywood films usually have more cast than a TV show and a low budget
short, but for a shorter period of time than a TV show. Due to this, the crew
and cast are paid more, but the Hollywood production has less backup crew as
there is less risk of them needing as many breaks as a TV programmes crew. The
average credits of a Hollywood movie are around 588.
There were 3 people in our group. We all had a say in the plot and
script, as well as writing the script and making the storyboards. Katie did the
legal papers such as the Clearance and the talent signings. When it came down
to the production, each one of us played a role as the cast, as well as all
setting up the camera at one point or another. The jobs were split off when it
came to post production, though, with me being the editor.
Time
If a studio doesn’t reach a deadline, many issues appear. Most are
financial, with the camera equipment having to be hired out for a longer period
of time, and crew, casting and props having to be kept for longer, increasing
the prices of these priorities. Not only this, but the film will have to be
remarketed, costing more money for this to happen. Not only is remarketing a
financial problem, but the audience who wanted to see the movie may become
uninterested or feel as if there was a problem with the film, meaning they will
look at reviews of the film to see if they want to spend their money on it
rather than forming their own opinions.
An example of a film which suffered due to not hitting a deadline was
‘Motor City’, which didn’t hit Warner Bros. deadline and was therefore pulled
because it’s financial backers couldn’t get a bond for the film. This was due
to ‘a very short post-production schedule and complicated visual and special
effects’. This would obviously not go down well for all involved as they
realise that the production was a waste of their time and effort.
Our timeframe was 2 weeks for each section of production. We had to cut
parts out of our production as we were running out of time – something I will
work on for the next production.
Equipment/Facilities
Professional moving image productions rent out their equipment using
high level film and production rental companies. An example is Monsoon
Production Services, who rent out camera packages including mounts, lenses etc.
for around $1000 a day. There are 2 relatively close – one in Suffolk called
‘Greenspark’ and one called the JMS Group in Norwich.
We had to hire out the equipment from out Skills Department, in which
one person of the 3 would rent it out and hand it back in. We had to get a
camera, hard drive and a tripod as the basics for our film, and had to hand it
back once we’d finished with it each day.
Locations
Location recces is similar to ‘location scouting’ and it is visiting a
location prior to filming to determine its suitability for shooting, including
any issues such as light or sound issues, as well as any nearby facilities
which may be needed. To film in that area you need a release form, which is a
contract between the production team and the owner of the property to allow the
project to be filmed in that area. If a location is not under contract of a
location release form, though, the owner of the private land has the right to
sue the trespasser.
We picked out our settings based on what we wanted the mood to be, with
one half of the film being light due to a light, innocent atmosphere and the
second half being in darkness to reminisce the evil atmosphere surrounding the
plot. We had to get legal permission to film outside and inside the college –
in which we had to sign paperwork.
Materials
Materials that don’t include equipment, cast or crew are just as
important as the stars of the production and the cameras. This includes the
scripts, which is the main idea of what the project will be about, and what the
story would lead to. A list of equipment is also needed, so that the production
team can get the right amount of each piece of equipment that would be needed.
A storyboard is important for any film so that the director can visualise what
each scene will have to include when on set. Both the script and storyboard
will cost time and money due to a script writer and a storyboard maker having
to be employed, as well as a lot of paper being used when making each because
of the number of pages used for the creative writing as well as the amount of
times the script and storyboards have to be rewritten/drawn.
Legal
Issues
The BBFC take into account many legal considerations when giving a film
an age rating, as it is restricted for people under the age of 18 to enter an
18+ film to prevent crime and disorder, public nuisance and to protect children
from harm, as it is believed that children who watch films which include
criminal behaviour, violent behaviour or incidents, horrific behaviour or
incidents or human sexual activity could affect children or vulnerable people
in a negative way.
Copyright is a massive issue in film, which can lead to legal action if
there are any original creations such as musical or artistic work used without
permission. It prevents copying and distribution of work that is under
copyright law.
Clearance is getting all of the required permission for sets, actors/extras,
stock film, computer programs, music, etc. when creating a film. This could be
using a piece of music that wasn’t created by the production in question, such
as the use of ‘Ain’t No Grave’ by Johnny Cash in Pirates of the Caribbean: Salazar’s
Revenge trailer.
Public Liability Insurance is when a production needs proof that they
have permission to film in a certain area with coverage if filming activities
damage or injure property/people not involved in a film. Many action movies,
such as the Avengers, use this – as they filmed a battle scene on the Streets
of New York which could have easily damaged surrounding were something to go
wrong.
A Completion Guarantee is insurance in which the producer sets a date
that the project will be finished by, and if it isn’t the producer can take
action in order to protect the financial standings of themselves and the
investors in the film. Most films have one, which is what dates of film release
is calculated by.
Copyright meant that our project could not use any known music for our
project to create an ominous setting, instead having to use royalty free music
which is lower in quality, as there was a slim chance we could have got
permission to use any copyrighted music.
Regulation
OFCOM is the UK’s communications regulator, which stops UK residents
from seeing programmes on TV considered inappropriate. After 9pm, the
strictness of the regulation lowers due to children under the appropriate age
usually not watching TV at that time. They also regulate radio and phone
telecoms.
The BBC is regulated by the non-profit organisation OFT (Office of Fair
Trading) which instead of a media regulator is more of an economic regulator,
which prohibits scams, cartels and rouge trading.
Moving image productions via the internet are harder to regulate due to
their being so much more content with so much freedom as to how and where the
content is put up. This means that pirated movies, live steams of pay-per-views
and illegal videos can be put on the internet for days without being paid any
attention. Although the videos are considered ‘illegal’ due to the content and
other laws, there are actually no laws which stop people from being able to
post what they would like, also because of how hard it would be for companies
such as OFT and OFCOM to regulate.
Trade
Unions and Trade Associations
Trade unions are a group of people that fight for rights. It is
important in today’s society with racism and sexism still around, and they can
be portrayed in films to help deliver a message and get the point of that union
across.
PACT and BECTU are examples of a Trade Union, and can help filmmakers
forward their ideas to a production company depending on what production
company that the filmmaker thinks is best. The point of this is to help the
careers of filmmakers who need recognition to get their careers moving in the
right direction.
A trade association is a business which promotes advertising, education
and publishing. It collaborates with other companies in order to help them.
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